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"Who are the Europeans? How do they think? What values do they hold dear? What binds them and what divides them? This atlas summarizes the outcomes of the European Values Study, combined with results from the World Values Survey, two projects that have measured values over the past three decades." "The European Values Study project is run by researchers from 33 countries and is administered by Tilburg University, the Netherlands." "The Atlas presents European ideas and beliefs in the form of graphs, charts and maps. Values such as democracy, freedom, equality, human dignity and solidarity are held by almost all Europeans, but the survey points to differing views about marriage, religion, work and such topics as euthanasia, happiness, sexuality and death." "This unique Atlas covers all European nations from Iceland to Turkey, from Portugal to the Ukraine. It graphically illustrates the rich diversity that is Europe."--Jacket.
Social values --- Values --- Europeans --- Public opinion --- Group identity --- Attitudes --- Sociology of culture --- European Union --- Valeurs sociales --- Valeurs (Philosophie) --- Européens --- Opinion publique --- Atlases --- Atlas --- 303.37209409049 --- #SBIB:316.7C122 --- #SBIB:327.7H200 --- Ub11 --- 316:2 <4> --- 316.752 --- 651 Maatschappij. Algemeen --- 316:2 <4> Godsdienstsociologie--Europa --- Godsdienstsociologie--Europa --- 316.752 Waarden --(sociologie) --- Waarden --(sociologie) --- Axiology --- Worth --- Aesthetics --- Knowledge, Theory of --- Metaphysics --- Psychology --- Ethics --- Opinion, Public --- Perception, Public --- Popular opinion --- Public perception --- Public perceptions --- Judgment --- Social psychology --- Attitude (Psychology) --- Focus groups --- Reputation --- Collective identity --- Community identity --- Cultural identity --- Social identity --- Identity (Psychology) --- Collective memory --- Ethnology --- Cultuursociologie: overtuigingen, waarden en houdingen --- Europese Unie: algemeen --- Europa --- Statistieken --- Sociale aardrijkskunde --- Waarden --- Normen --- Atlas of European values --- Atlases. --- Statistische gegevens --- Waarde (ethiek) --- Norm (standaard) --- Crisis --- Cultuur --- Norm (gedragsregel) --- Social values - Europe - Public opinion - Atlases. --- Values - Europe - Public opinion - Atlases. --- Europeans - Attitudes - Atlases. --- Public opinion - Europe - Atlases. --- Group identity - Europe - Atlases. --- Maps
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Museum exhibitions focusing on Native American history have long been curator controlled. However, a shift is occurring, giving Indigenous people a larger role in determining exhibition content. In Decolonizing Museums, Amy Lonetree examines the complexities of these new relationships with an eye toward exploring how museums can grapple with centuries of unresolved trauma as they tell the stories of Native peoples. She investigates how museums can honor an Indigenous worldview and way of knowing, challenge stereotypical representations, and speak the hard truths of colonization within exhibition spaces to address the persistent legacies of historical unresolved grief in Native communities.Lonetree focuses on the representation of Native Americans in exhibitions at the Smithsonian's National Museum of the American Indian, the Mille Lacs Indian Museum in Minnesota, and the Ziibiwing Center of Anishinabe Culture and Lifeways in Michigan. Drawing on her experiences as an Indigenous scholar and museum professional, Lonetree analyzes exhibition texts and images, records of exhibition development, and interviews with staff members. She addresses historical and contemporary museum practices and charts possible paths for the future curation and presentation of Native lifeways.Bron: https://uncpress.org/book/9780807837153/decolonizing-museums/
Public opinion --- Indigenous peoples in popular culture. --- Indians in popular culture. --- Racism in museum exhibits --- Museum exhibits --- Museums --- Postcolonialism --- Ethnological museums and collections --- Indians of North America --- Display techniques --- Displays, Museum --- Museum displays --- Exhibitions --- Museum techniques --- Popular culture --- Public institutions --- Cabinets of curiosities --- Post-colonialism --- Postcolonial theory --- Political science --- Decolonization --- Ethnological collections --- Ethnology --- Anthropological museums and collections --- Moral and ethical aspects --- Management. --- Public opinion. --- Museums. --- United States --- Race relations. --- Race question --- Geschiedenis --- Museum --- Kunstcollectie --- Maatschappelijke vorming --- Koloniale geschiedenis --- Amerika --- Inheemse bevolking --- zzzzzzz --- Antropologie --- Etnologie --- Noord-Amerika --- Arizona --- Utah --- Mexico --- Indianen
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Designed specifically for the needs of the focus group moderator, this comprehensive guide covers everything from pre-session participant recruitment to post-session reporting. In addition, the author includes a wealth of advanced and new techniques, such as those for managing group dynamics, energizing a tired group, projective techniques, personality association and position fixing. Extremely practical and well-written, the book includes chapter summaries and a helpful glossary.
Focused group interviewing. --- Social sciences - Research. --- Social sciences -- Research. --- Wetenschappelijk onderzoek --- Diagnose --- Focus groups --- Social sciences --- #SBIB:303H30 --- Social science research --- Focused group interviewing --- Groups, Focus --- Interviewing --- Public opinion --- Research --- Kwalitatieve methoden: algemeen --- Focusgroep --- Natuurwetenschappen --- Qualitative methods in social research --- Research. --- Onderzoek (wetenschap)
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Kunstkritiek is een uniek Nederlandstalig boek over en met kunstkritiek. Aan de hand van teksten uit zeer uiteenlopende bronnen, willen de auteurs een kritische blik werpen op de actuele waarden en mogelijkheden van beeldende kunstkritiek. Bovendien bevat het boek voor het eerst de Nederlandse vertalingen van internationaal verspreide teksten van o.a. James Elkins, George Baker en Sven Lütticken. In Kunstkritiek ligt de nadruk op Belgische en Nederlandse auteurs, maar ook internationale stemmen komen uitgebreid aan bod. Zo wordt het discours over beeldende kunstkritiek in het Nederlandse taalgebied samengebracht én in een internationaal kader geplaatst. Kunstkritiek wil de kunstkritische dialoog over de landsgrenzen heen bevorderen en een brede kijk op de problematiek verzekeren. Kunstkritiek kan als handboek gebruikt worden binnen verschillende academische opleidingen. Bovendien is het een echte aanrader voor professionals binnen het (culturele) veld. Kortom, dit is hét boek bij uitstek voor iedereen die graag leest, nadenkt, schrijft of praat over kunst en kunstkritiek. Bron : http:/www.boekenbank.be
art criticism --- kunstkritiek --- Aesthetics of art --- Art criticism --- Belgium --- History --- 20th century --- Netherlands --- 21st century --- Art critics --- Academic collection --- 7.01 --- Kunsttheorie ; België ; Nederland ; 1985-2010 --- 625 Beeldende kunst --- kunst --- vandalisme --- Newman Barnett --- fotografietheorie --- fotografie --- Mannaerts Valérie --- Eyberg Sylvie --- Biennale di Venezia --- Biënnale van Venetië --- Martens Renzo --- kunstmarkt --- eenentwintigste eeuw --- twintigste eeuw --- Nederland --- België --- kunsttheorie --- Critics --- Art --- Arts --- Criticism --- Public opinion --- Kunst ; theorie, filosofie, esthetica --- Analysis, interpretation, appreciation --- departement Beeldende Kunst 11 --- Kunsten --- Geschiedenis --- Critici --- Journalistiek --- Kunst --- Criticus --- Geneeskunde --- Techniek (wetenschap) --- Atlas --- Museum --- Vietnam --- Zuid-Afrika --- Kust --- Reizen --- Ziekte --- Vliegen (werkwoord) --- Literatuur
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Naast een chronologisch luik behandelt het boek belangrijke thema's zoals de toekomst van de film, de moeilijkheden van de art house-bioscoop, of de gespannen verhouding tussen verzuiling en film. Antwerpen en Gent vormen de locaties voor enkele concrete gevalstudies. Culturele, sociale en structurele analyses worden aangevuld met inzichten over de artistieke ontwikkelingen van de film en de bioscooparchitectuur. Ten slotte krijgen politieke aspecten (bijvoorbeeld katholieken en film), de plaats van film in de vrije tijd en affichekunst ruime aandacht.
Motion picture theaters --- Motion pictures --- History. --- bioscoop --- film --- Vlaanderen --- History --- cultuurgeschiedenis --- motion picture theaters --- Film --- screening rooms --- filmsociologie --- History of civilization --- filmgeschiedenis --- Flanders --- Motion picture projection --- Cinémas --- Cinéma --- Projection cinématographique --- Public opinion --- Histoire --- Opinion publique --- Flanders (Belgium) --- Cinematography --- Vrije tijd en toerisme (cultuur) --- bioscopen --- cultuur --- #SBIB:309H1313 --- #SBIB:316.7C321 --- #SBIB:949.3H1 --- 798.42 --- filmcultuur --- 791.43 --- België --- twintigste eeuw --- 791.43 <493> --- 624.1 Film --- Cinemas --- Movie theaters --- Moving-picture theaters --- Theaters, Motion picture --- Theaters --- Cinema --- Feature films --- Films --- Movies --- Moving-pictures --- Audio-visual materials --- Mass media --- Performing arts --- 791.43 <493> Filmkunst. Films. Cinema--België --- Filmkunst. Films. Cinema--België --- Geschiedenis en/of organisatie van het filmwezen: algemeen en per land (met inbegrip van de rol van het filmwezen in de ontwikkelingsproblematiek) --- Culturele-, ontmoetings- vrijetijdscentra --- Geschiedenis van België: godsdienst en cultuur --- film, geschiedenis der filmkunst, België --- History and criticism --- Media --- Geschiedenis --- Cultuurstudies --- Cultuursociologie --- België --- Geschiedenis van België: godsdienst en cultuur --- film, geschiedenis der filmkunst, België --- Filmkunst. Films. Cinema--België --- Film (cinematografie) --- Cultuurstudie --- Geneeskunde --- Techniek (wetenschap) --- Atlas --- Museum --- Emigratie --- cinema --- Motion picture theaters - Belgium - Flanders - History --- Motion pictures - Belgium - Flanders - History --- Vlaanderen.
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